Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Thursday, January 19, 2023

New Novel Available for Pre-Order!

That's right, I've got a second novel on the way. (I've waited a bit to announce it in order to focus on promoting In Search of the Magic Theater.)

Too Early to Know Who's Winning, a novel of liberal women during the Trump years, is available for preorder NOW, and ONLY from the publisher, Black Rose Writing, at
https://blackrosewriting.com/womens/tooearlytoknowwhoswinning
.
If you order before March 23, 2023, use the promo code PREORDER2023 for a 15% discount!


Copies will ship March 23.

It’ll show up on Goodreads, Amazon, and other sites very soon, including NetGalley starting February 1.

Monday, October 10, 2022

Exciting News Is In the Offing...

I'm on a roll, and not only have I had two books published just lately (Magnetic Woman: Toyen and the Surrealist Erotic, University of Pittsburgh Press, 2020; In Search of the Magic Theater, Regal House, 2022), but I'll be having a second novel coming out in the spring of 2023, this one from Black Rose.

I'm waiting a little before putting out a big announcement, since I'm focusing on promoting In Search of the Magic Theater right now, but if you enjoyed In Search of the Magic Theater, you might also like the new novel. It's rather different than In Search of the Magic Theater (more political, for one thing), so not everyone will like both novels equally, but I'm guessing that many readers will enjoy both. So keep your eyes peeled for more news on the new novel!

Thursday, August 11, 2022

Surrealist Sabotage Coming in Paperback

Abigail Susik's timely study Surrealist Sabotage and the War on Work will soon be out in paperback, making it much more affordable! As a friend and colleague of Abigail's, I can say that her hard work and devotion to the study of surrealism has been paying off splendidly in the past year. Not only did she publish Surrealist Sabotage and the War on Work (Manchester University Press, 2021), but we've also sen her two edited volumes come out: Radical Dreams: Surrealism, Counterculture, Resistance (with Elliott King, Penn State University Press, 2022), and Surrealism and Film After 1945: Absolutely Modern Mysteries (with Kristoffer Noheden, Manchester University Press, 2021). Well done, Abigail!

Thursday, July 7, 2022

Thoughts on BookTok

Jane Friedman, publishing guru (and I'm not saying that sarcastically because she really is, and is fabulously informative), notes on Instagram:
BookTok has helped authors sell 20 million printed books in 2021, according to BookScan. So far this year, those sales are up another 50%. NPD Books said that no other form of social media has ever had this kind of impact on sales. As a result, publishers are being influenced more than they’re doing the influencing, according to Emma Quick, senior marketing manager at Bonnier Books UK. As is often observed, BookTok is full of readers’ emotional, visceral reactions to books. Strong reactions require provocation: plot twists that make you angry enough to throw the book across the room, or endings that make you bawl your eyes out.
On the one hand, I think it's great that readers become passionate about books and want to promote then on TikTok videos. I mean, if you're an author who appeals to the BookTok demographic, that's likely to result in lots of sales even if you never once go near TikTok.

On the other hand, TikTok's demographic is heavily teen and under-thirty--a limited slice of the readership pie. What's more, even among that age group not everyone wants to read a steady diet of books that prompt sobbing and book-throwing. Even a reader who enjoys a quiet tear over a sad moment in a book may not want to weep copiously or feel buffeted by hurricane-quality winds of emotion.

And so, while I'm pleased that lots of teens and younger adults are reading and loving to discover and discuss books, I won't be so pleased if publishers decide that they need to base their acquisition strategies on what makes fifteen-year-old girls the most histrionic. We already have way too much of a tilt in US publishing toward insisting that novels begin at some exciting point and escalate from there. Again, nothing against novels that do this, and nothing against highly emotional teen readers, but the world of books and readers encompasses so much more. Just as it's good to have books that excite strong feelings, it's also good to have books that are calm, cozy, or thought-provoking. Both thinking and feeling are important, just as rest needs to balance intense activity.

As a side note, I wonder whether Goethe's The Sorrows of Young Werther (infamous in its day for prompting numerous suicides) or the works of Dostoevsky (also known for their emotional effect) are currently inciting any BookTok videos.
The Reader of Dostoevsky, 1907, by Emil Filla

Wednesday, June 1, 2022

It's Launch Day for My Novel!

If you haven't yet ordered your copy of In Search of the the Magic Theater, you can get it in paperback, e-book, or special edition hardcover from the Regal House website! There'll be a launch party Sunday at the Ghostlight cafe on Wayne in Dayton, and other opportunities later in the month to get signed copies directly from me in the Dayton area.

And here's a lovely review from Goodreads:
In Search of the Magic Theater weaves the lives of Sarah, a very particular Cellist, and Kari Zilke, her aunt's new lodger. Sarah is at first resistant to the presence of Kari but before long she finds herself taking an interest in her life and their lives become unexpectedly intertwined. Sarah has been hiding behind her music, whilst Kari avoids her theatrical past, but both women will find their lives disrupted by a new presence.

This is a novel of self-discovery. It's clever, it's layered, it's fun. Heubner gives us a real sense of the generational tensions, from Sarah's feeling towards people her own age, to Kari slipping through the gaps of time. The story is drenched in theatre, art and music, and we even get a glimpse into the theatre piece at the end.

I'll be thinking about this one for a while.

--Puddles
Many thanks to Puddles and other early reviewers for their thoughtful comments, and please, if you enjoy this (or any other) book, by all means leave a review or short comment on Goodreads, Amazon, Barnes & Noble, and/or wherever else that might help other readers discover good books. In a publishing environment when several thousand books come out each day, and internet algorithms are king, happy readers are crucial to helping books find other interested readers.

Monday, March 28, 2022

Still Available for Review on NetGalley!

Authors in the age of social media often find outselves feeling a little like the proverbial broken record as we keep mentioning our books. But it isn't (usually) because we're vain or can't think about anything else. In today's hyper-saturated publishing world, where far more books than ever before are published, it's simply necessary for us to do everything we can think of to bring our books to the attention of potential readers. Our publishers do some of that work (if we're lucky), but they generally have quite a few books to publicize all at once.

And so, once again, let me point out that my novel In Search of the Magic Theater--a tale of music, theater, generational tensions, strong women, and a bit of romance--is currently available for pre-publication review on NetGalley. Reviews that appear prior to publication, whether in Publisher's Weekly, Kirkus, NetGalley, Goodreads, or elsewhere, help readers learn about books they may be interested in, which encourages pre-orders, which encourages more support from publishers.

If you read and review via NetGalley, this post is for you!

Wednesday, March 9, 2022

Radical Dreams

Huge congratulations to my friends Abigail Susik and Elliott King upon the publication of their edited volume Radical Dreams: Surrealism, Counterculture, Resistance!

While many people think of surrealism as a European artistic movement that flourished between the two world wars, that's actually a very limited understanding. Not only has surrealism continued to the present and taken hold worldwide, but during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was actually a living current of anti-authoritarian resistance. The book's chapters are devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics.

You (or your library) can order it here.

Tuesday, January 25, 2022

Meet the 2022 Debuts!

Over at Facebook, the 2022 adult traditionally published debut novelists have a lively group where we exchange ideas and information about how to promote our books to the readers who will love them. Which is why I'm doing lots and lots of brief blog posts this year highlighting debut novels! I want to do my part to help everyone's books be a success.

We now have a website, https://2022debuts.com/, where you can learn more about us and about our books, which include mysteries, romcoms, thrillers, fantasy, science fiction, women's fiction, literary fiction, and pretty much anything else you can think of--something for pretty much any reader. Many of us are on Instagram and/or Twitter as well, posting about books and reading and many other things. Below, you can see just a few of us whose names begin with K!

Monday, January 10, 2022

The Best Place to Pre-Order In Search of the Magic Theater Is...

The very best place to order your copy of my forthcoming novel In Search of the Magic Theater is from the publisher, Regal House: https://www.regalhousepublishing.com/product/in-search-of-the-magic-theater/. Why? Because not only do more of your purchase dollars go to me and the publisher that had the vision to take on my book (no middle man), but in addition to the options of paperback or e-book, you can order the special-edition hardback from Regal House!

Of course, it's also a wonderful idea to pre-order your copy through your local independent bookstore! Tell them that it is distributed by IPG.

Pre-orders (orders that arrive before the book is available) help the publisher get a sense of how many books to print, and help raise visibility with those mysterious algorithms (as does adding the book to your Goodreads want-to-read list!).

Saturday, January 8, 2022

One More Day to Get MAGNETIC WOMAN on Sale

Don't forget, University of Pittsburgh Press is having a 30% off sale on all titles through January 9, 2022! This means you can order Magnetic Woman: Toyen and the Surrealist Erotic for just $70. Go to https://upittpress.org/books/9780822946472/ and in your order use the code PITTBOOKS. But hurry, the sale is nearly over!

Thursday, January 6, 2022

You Can Now Pre-order In Search of the Magic Theater!

The order page for my debut novel In Search of the Magic Theater is now live at Regal House! Now, you might ask why you should order now and directly from the publisher when the book will not arrive until June (it launches June 1st) and it can also be bought from various other sellers.

Well! Here's why:

First of all, pre-ordering (that is, ordering in advance of publication) helps the publisher and others gauge how much interest there is in the book, which includes how skillfully the author is getting the word out. Did you ever wonder how books can be best-sellers from Day 1? The answer is that they had a ton of pre-orders. Pre-orders have other benefits too, but I trust you get the overall point. (This is true no matter where you pre-order from, but read on...)

Second, ordering any book from the publisher means that since the publisher is getting the full retail price you pay, rather than a steeply discounted wholesale price, you're supporting the publisher AND therefore the author (in this case me) receives more of your dollars. That's not to say you shouldn't support your local independent bookstore too, because you should, but when you particularly want to support the author and/or the press right from the start, this is the way to do it.

Third, pre-ordering means you'll get your copy right around when the book launches. You haven't put off buying your friend, relative, or admired author's new title--you're one of the people making it a success.

And fourth, if you're a reader who likes hardback books or special editions, Regal House offers special edition hardbacks only through its website. You can buy the paperback or e-book elsewhere, but the hardback is only available directly from Regal House. (Unless, of course, you are buying your hardback directly from the author once the book comes out. I will be ordering some hardbacks to sign for people who buy them from me.)

And so, I hope you will consider pre-ordering In Search of the Magic Theater right now directly from Regal House at https://www.regalhousepublishing.com/product/in-search-of-the-magic-theater/
Why, the rather staid young cellist Sarah wonders, should her aunt rent their spare room to the perhaps unstable Kari Zilke? Like the nephew in Hermann Hesse’s Steppenwolf, Sarah finds herself taking an unexpected interest in the lodger, but she is unable to stop at providing a mere introduction to Kari’s narrative of mid-life crisis and self-discovery, and develops her own more troubled tale of personal angst and growth, entwined with the account Kari herself purportedly left behind. Generational tensions, artistic collaborations, and even a romance steeped in Greek myth follow as Kari and Sarah pursue their very different creative paths in theater and music. And while Kari seems to blossom post-divorce, Sarah must grapple with the question of what the role of mothers, fathers, aunts, mentors, and male collaborators should be in her life as a young musician.

Praise for In Search of the Magic Theater

Karla Huebner’s debut novel offers a sophisticated meditation on the idea of art, mythology, theater and music (classical and jazz) as two women, separated by a generation and divided by a cultural shift – from 60s to post-60s – negotiate sexuality, love, regret, grief, and above all forgiveness… A treat for the denizens of the world of art and intellect. — Moazzam Sheikh, author of Cafe Le Whore and Other Stories

In this tale of two women, in which the men are also treated very sensitively, Karla Huebner calls on her deep knowledge of European of classical paintings and verse, and surely her personal knowledge, for a story of desire denied, delayed, and sometimes precariously fulfilled. — Geoffrey Fox, author of Welcome to My Contri, A Gift for the Sultan, and Rabble

Huebner sets us up for a climax of dazzling theater that combines Keats’s romantic poetry, Greek drama, music and dance, a production that leaves the reader excited and fulfilled by the magic one can experience with good art. And, yes, a sense of adventure in our unforeseeable future. — Margaret C. Murray, author of Spiral and Pillow Prayers

A sophisticated, queer-friendly, and feminist take on Hesse’s Steppenwolf. Although loosely set in the late 1990s, Huebner’s meditation on repression, instinct, and the creative drive is fresh and timeless. — Gabriella West, author of Time of Grace and Once You Are Mine

Through the voices of two women with overlapping lives but diverging paths, Karla Huebner explores the tension between control and surrender, reason and ecstasy, dreaming and choosing. This engaging, erudite, yet accessible novel takes us on a cultural journey spanning millennia, from Greek mythology to Jimi Hendrix, from Elizabethan lyric poetry to performance art, revealing along the way the joy of self-discovery. — Julie Wittes Schlack, author of This All-at-Oneness

Tuesday, December 7, 2021

Some Comp Titles for In Search of the Magic Theater

In publishing, as in real estate (but unlike in theater), we talk about comps. Comparables. Comparisons. And as the debut novelists of 2022 are doing themed posts all through December about our forthcoming books, one of them is for our comps. Some of us are posting on Instagram, others on Facebook, and others, no doubt, on Twitter or TikTok. My post on Instagram ran into a computer glitch of some sort, so I'm doing it here too.

Two of my comps are "old" but perfect, two are recent enough that we're using them as "official" comps (published in the last five years). So...

1) Hermann Hesse's STEPPENWOLF was the inspiration for my novel IN SEARCH OF THE MAGIC THEATER, which will be out June 1. I switch the genders of the main characters and set the novel in 1999. Mine is also happier overall than STEPPENWOLF and gives the landlady's niece a major role.

2) Robertson Davies's THE LYRE OF ORPHEUS. Not only is Davies one of my favorite authors, but he wrote so well about the arts in general. THE LYRE OF ORPHEUS is about a group of quite different people (who don't all even like each other) collaborating on finishing an opera by the Romantic writer and composer E.T.A. Hoffmann. I took many useful lessons from this novel in writing the theatrical portions of my own novel (along with having worked in theater myself and having composed small musical pieces in the distant past). Oh, and also, like LYRE OF ORPHEUS, the theater piece in my novel includes text from long-dead authors and lots of music.

3) Jan Alexander's MS. MING'S GUIDE TO CIVILIZATION. Jan is now a friend and we're in a writing group together, but I first learned of her and her novel through a mutual friend. MS. MING sounded like a book I needed to read--two young women, one American and the other a poor kid from China scraping a not-so-savory living in the US, get involved with the mythological Monkey King and scheme to improve the world--and it also led me to my publisher, Regal House! So MS. MING means a lot to me. It's about women's lives, about big dreams, about myth, and it's lively and fun and often satirical.

4) Carmen Boullosa's THE BOOK OF ANNA. This too is a good comp for my novel, as it uses a classic novel (ANNA KARENINA) as a launching point for a new and wildly imaginative work that also includes a work of fiction by the character Anna Karenina.

Follow along with the hashtag #2022Debuts to see what my other fellow debuts are saying and give a follow to @debutauthors, which will showcase all our books coming out in 2022!

Wednesday, October 6, 2021

Burning and Dodging

Julie Wittes Schlack has a novel coming out in December, Burning and Dodging! As you might guess, photography is one of its topics--as are, figuratively, both burning and dodging. I had the privilege of reading it several months ago, and can recommend it as a wonderfully complex, engaging tale. It is one of my very favorite new novels.

If you pre-order now through the publisher, you'll benefit both Julie and Black Rose Publishing (Julie gets a higher royalty than through, say, Amazon, and the publisher knows people want to read it).

Friday, August 20, 2021

Novel: Deer Season

It's been awhile since I've given a shout-out to anybody else's book... it seemed like there was perhaps a bit of a lull in book announcements among my friends. However, I've now got some new ones to mention, so that's all to the good. First, my colleague Erin Flanagan from over in the English department has a novel out! Erin has previously published two story collections, but this is her debut novel, available from University of Nebraska Press in September (you can order it now). Deer Season is set in Nebraska, is something of a mystery story, and it's getting some rave reviews already over on Goodreads!

Friday, August 6, 2021

Get Hooked on Magnetic Woman

Lots and lots has been happening, particularly regarding publicity for Magnetic Woman! More details soon, but let's see if I can successfully add the San Francisco Public Library's one-minute YouTube "Get Hooked on" video for the book.

Monday, May 31, 2021

All the Stats About Middle-Grade Books

Now that I've begun, in my kooky way, a novel for kids rather than yet another book for adults, I wanted to see what kind of word count I ought to be aiming for. After all, while I read huge numbers of children's books growing up and occasionally still read some, this is not an area of publishing that I've really followed.

Well, I found that middle-grade books tend to be somewhere in the 40,000 to 69,000 word range, which sounds just right for what I'm expecting to end up with. But I also found out a whole lot more.

Children's author Hannah Holt has compiled an amazing and incredibly useful set of statistics about middle-grade authors and their books. While for some things it would be nice to have a larger author sample size (76 authors participated), for the most part she was able to offer a fascinating view into this particular subset of publishing, with lots of handy graphs (and I'm not even big on graphs, but these really worked for me).

Not only did she find the usual word count range (in the middle of a surprisingly wide total range) for books for this age group, but she got data on advance sizes for large and small publishers, how advances correlated to agented vs unagented authors (guess what, having an agent makes a big difference in the size of your advance--not a surprise but good to have confirmed), how much this set of authors tend to make per year from their writing, how many hours a week they tend to write, and a whole host of other interesting data.

Major kudos to Hannah Holt for surveying authors and putting together such a detailed and well organized account of what she found! She also surveyed YA authors, chapter book authors (chapter books are for the age group between picture books and middle-grade), and picture book authors (in three parts, starting with this page). It looks like Hannah Holt has lots of other great stuff on her site too, so if children's books and how they are written and published is of interest to you, definitely check her out!

Saturday, May 29, 2021

I Suddenly Begin a Middle-Grade Novel

School's out and I've been busy! There's promotion work to do both for Magnetic Woman and, in advance, for In Search of the Magic Theater. I also put together the spring newsletter for the Czechoslovak Studies Association. But mostly, I've been writing.

What am I writing, you may ask?

Well, I always have quite a few projects underway--some scholarly and some fiction. Some are books I've been working on for years, on and off. Others are fairly new or even simply in the planning stages. It's hard to finish writing any book during the school year because my time (and mental energy) is so fragmented. I can get a lot done all the same, but not wrap up a book. Summer break is when I try, these days, to get at least one book done per year, because in the summer I have days and months to focus and I can read an entire manuscript through easily and see what's missing or not working.

For three summers now, I've picked one nearly done project to finish up. And guess what? It's been the same one each year. Yet, oddly enough, in 2019 I finished two novels (one old, one new) and in 2020 I wrote a novella. (I would probably have finished a novel too in 2020, but I had to spend a lot of time prepping my fall remote classes, one of which was one I'd never taught before, let alone remotely.) In other words, I simply ended up working on books other than the one I thought I'd finish.

So, this year is looking true to form. I said yes, I want to finish that nearly done book that I began many years ago and still love. But what happened? In mid-May I had an idea for a whole new book that felt like it would be fun and easy to write, so I set to work. It's been purring right along and I've got about 13,000 words written, not counting masses of additional notes and partial scenes that might go in slightly later. The unexpected thing is that this is not a book for adults, which all of my other books are. This is what's known as a middle-grade book, which is to say that the anticipated audience is aged about eight to twelve.

It's a lot of fun, and I'm guessing that I'll finish it and still have time to see if I can wrap up one of those nearly done books that have been inching toward completion for years. Maybe even the one that has waited the longest to be finished! We shall see.

Of course, with two novels, one novella, and a story collection all seeking publishers, it'd be nice if I had an agent again to handle shopping them around while I promote the published book and the soon-to-be published book and write my new books. Unfortunately, looking for agents is yet another of those time-consuming tasks in a writer's life.

Monday, April 19, 2021

How Do Libraries Get Books?

Have you ever wondered what goes on behind the scenes at libraries--how purchasing choices are made and how books, especially e-books, come to be available? Author Maggie Lynch writes about The Importance of Library Distribution on her blog and notes that with the pandemic, libraries have adapted to changes in demand by providing stronger e-book offerings. As a reader who waited until the pandemic to get a Kindle, I can attest to my public library's growing interest in e-books!

Now, speaking of e-books, you may wonder whether Magnetic Woman is available as an e-book. The answer is, unfortunately, no. Rights for the art for e-book editions would have been even more expensive than what I had to pay (that's me, the author, not my publisher!) for print rights. Besides which, do you really want to read an art history book on a screen if you can read it on paper? Probably not, although I do think it would be nice to have a copy handy on an e-reader for travel.

Friday, March 12, 2021

Author Copies Arrive!

Finally, finally, finally, after the disappointment of the printing errors, the corrected, perfected print run of Magnetic Woman is definitely available and out there in the world and I have received my author copies! Now to package them up and send them to the various museums and organizations that gave me images in exchange for a copy or two of the book... and of course the copy to send to my immediate family!

Thursday, February 25, 2021

Waiting and Prepping

Well, Magnetic Woman has officially been out since December, but printing errors (most of the index missing, color plates out of order) caused the book to have to be reprinted, so I am still waiting to get author copies that will be acceptable to send to the various museums and others who helped along the way. It's just hard--bad enough to have my book come out during a pandemic, but then to have to pretty much pull it from circulation and reprint...!

Meanwhile, I've been asking some fellow writers for blurbs for In Search of the Magic Theater, which should be out next summer, and I've been putting together an author website through the Authors Guild. Plus also fiddling with new novels--some of which are close to done (I want to finish at least one this summer) and some of which are just in the formative stages. I can't do a whole lot with them during the semester since with the pandemic I'm doing a lot of extra work on my remote courses, but a little bit here and a little bit there eventually adds up to finished novels.