"This is one of the most unusual novels I’ve read in ages! Hard to describe but absolutely engrossing and memorable. The main characters are two unique and fascinating women, crashing through their disparate lives full of music, theater, art, lovers in a wild plot of discovery. If you’re tired of the same old types and themes in novels, this is the one for you."--Amazon reviewer
Showing posts with label libraries. Show all posts
Showing posts with label libraries. Show all posts
Saturday, October 8, 2022
I'm Reading Today at SFPL!
If you're in the Bay Area, please come to my reading of In Search of the Magic Theater at the Bernal Heights branch of the San Francisco Public Library! The event begins at 3:00.
Monday, October 3, 2022
Reading Saturday at the San Francisco Public Library!
Mark your calendars for this coming Saturday, October 8th! I will be reading and discussing In Search of the Magic Theater at the Bernal Heights branch of the San Francisco Public Library, from 3:00 to 5:00 p.m. Hoping to see lots of readers there!
Bernal Heights Meeting Room
Bernal Heights branch, 500 Cortland Avenue, San Francisco, CA 94110
415-355-2810
bhemgr@sfpl.org
Bernal Heights Meeting Room
Bernal Heights branch, 500 Cortland Avenue, San Francisco, CA 94110
415-355-2810
bhemgr@sfpl.org
Monday, August 8, 2022
A Couple of Upcoming Events for the Calendar
I've been taking a bit of a break from author events (I have a conference paper to write for SECAC and a new novel coming soon), but I'm not done with events for In Search of the Magic Theater (or even, potentially, Magnetic Woman).
On September 17th I'll be signing books at Joseph-Beth in Cincinnati starting at 11 a.m. Joseph-Beth, which also has a store in Lexington, Kentucky, is one of the major bookstores in southwest Ohio.
On October 8th I'll be doing a reading and discussion of In Search of the Magic Theater at the Bernal Heights branch of the San Francisco Public Library.
There will be more to come!
On September 17th I'll be signing books at Joseph-Beth in Cincinnati starting at 11 a.m. Joseph-Beth, which also has a store in Lexington, Kentucky, is one of the major bookstores in southwest Ohio.
On October 8th I'll be doing a reading and discussion of In Search of the Magic Theater at the Bernal Heights branch of the San Francisco Public Library.
There will be more to come!
Saturday, July 30, 2022
The New Books Shelves at the Dayton Library
Two nice things the Dayton main library does on ground floor (among many) are 1) featuring an area with local authors' books and 2) placing newly acquired titles in a special New Books area. Granted, I often forget that what I'm looking for might be in the New Books area rather than on the regular shelves, but still it's a nice way of letting patrons know what's come out in the past few months.
I went over to the library the other day to have a look, and in addition to a copy of In Search of the Magic Theater (one of several bought by the library for its different branches after I donated two), I caught sight of some other 2022 Debut novels. I'm sure there are more in the library system, just out to patrons!
In Search of the Magic Theater
When We Fell Apart, by Soon Wiley
Tobacco Wives, by Adele Myers
Ramón and Julieta, by Alana Quintana Albertson
The Bangalore Detectives Club, by Harini Nagendra
And two more copies of The Bangalore Detectives Club!
I went over to the library the other day to have a look, and in addition to a copy of In Search of the Magic Theater (one of several bought by the library for its different branches after I donated two), I caught sight of some other 2022 Debut novels. I'm sure there are more in the library system, just out to patrons!
In Search of the Magic Theater
When We Fell Apart, by Soon Wiley
Tobacco Wives, by Adele Myers
Ramón and Julieta, by Alana Quintana Albertson
The Bangalore Detectives Club, by Harini Nagendra
And two more copies of The Bangalore Detectives Club!
Saturday, April 23, 2022
Using Overdrive Through Your Library
These days, many of us are reading e-books that we get from our local libraries. I may have been late to the party on this, as I didn't get an e-reader (in my case, a Kindle) until the pandemic hit, when the library became off-limits physically for a significant period. I've found, however, that checking out e-books is really great! They're available in several forms, and I never have to worry about returning the books overdue--they're renewable but unless I renew, they're simply no longer readable on my device. Overdrive, which is the system that my library uses, keeps a record of what I've checked out, so I can easily get a book again if I should have renewed but didn't.
I'm sure the above is old news to many of you. But do you know how to take your Overdrive checkouts to the next level?
If you read a lot of classics plus newer books that are not bestsellers, you may be frustrated that you aren't finding everything you'd like at the library, even via Overdrive. I know that I've found it quite tedious to look up book after book that's on my Goodreads want-to-read list and find that none of them show up on my library's Overdrive. The author's name usually does, but none of their books.
Each library chooses which books it wants from Overdrive's catalog. In other words, when you're on your library's Overdrive site, you aren't searching Overdrive in totality--you're just searching within what your library has decided, in its wisdom, that local borrowers are likely to want. But you can request the library offer books from Overdrive that it does not currently show!
I just did this today, as I'd discovered (via a simple Google search) that my forthcoming novel In Search of the Magic Theater is listed in Overdrive. I wasn't at that point looking to see if it was in Overdrive, I was just looking for any pre-publication reviews that might have surfaced, and discovered that the Somerset County Library (New Jersey) has it listed in Overdrive. So although they won't have the book until it launches June 1, they've already got it in their system. I therefore went over to my own local library's Overdrive site and typed in my name in Search. While my name didn't show up in search, I was nonetheless able to get the e-book of In Search of the Magic Theater to come up as something I could recommend to the library, which I then did.
Therefore, I tell you, go forth to your local library's website and proceed to its Overdrive site (while not all libraries use Overdrive, it is a very commonly used e-book service). Tell it that you recommend In Search of the Magic Theater and whatever else you may be itching to read that isn't already in its catalog!
I'm sure the above is old news to many of you. But do you know how to take your Overdrive checkouts to the next level?
If you read a lot of classics plus newer books that are not bestsellers, you may be frustrated that you aren't finding everything you'd like at the library, even via Overdrive. I know that I've found it quite tedious to look up book after book that's on my Goodreads want-to-read list and find that none of them show up on my library's Overdrive. The author's name usually does, but none of their books.
Each library chooses which books it wants from Overdrive's catalog. In other words, when you're on your library's Overdrive site, you aren't searching Overdrive in totality--you're just searching within what your library has decided, in its wisdom, that local borrowers are likely to want. But you can request the library offer books from Overdrive that it does not currently show!
I just did this today, as I'd discovered (via a simple Google search) that my forthcoming novel In Search of the Magic Theater is listed in Overdrive. I wasn't at that point looking to see if it was in Overdrive, I was just looking for any pre-publication reviews that might have surfaced, and discovered that the Somerset County Library (New Jersey) has it listed in Overdrive. So although they won't have the book until it launches June 1, they've already got it in their system. I therefore went over to my own local library's Overdrive site and typed in my name in Search. While my name didn't show up in search, I was nonetheless able to get the e-book of In Search of the Magic Theater to come up as something I could recommend to the library, which I then did.
Therefore, I tell you, go forth to your local library's website and proceed to its Overdrive site (while not all libraries use Overdrive, it is a very commonly used e-book service). Tell it that you recommend In Search of the Magic Theater and whatever else you may be itching to read that isn't already in its catalog!
Thursday, April 14, 2022
Magnetic Woman Expands its International Reach
Through the magic of Worldcat, and the Polish NUKAT (Union Catalog of Polish Research Libraries), I see that a copy of Magnetic Woman can now be found in Łódź at the Biblioteka Uniwersytetu Łódzkiego!
This is in addition to library copies in the British Isles (Maynooth, Fife, London), elsewhere in continental Europe (Paris, Leioa in Spain's Basque country, Barcelona, Lausanne, Berlin, Stockholm, Munich, Heidelberg, Würzburg, Zürich), and Wellington, New Zealand. This is in addition to copies at many US university and public libraries and one in Montreal.
While I've sent copies to a good many Czech institutions, apparently none of them report to Worldcat.
If your library doesn't yet have Magnetic Woman, do ask them to order it! You can point out that it is a prize-winning study of a fascinating gender-ambiguous surrealist. And if you've read it, please consider reviewing it, whether for a scholarly journal or on Amazon or Goodreads!
Spread the word about Toyen and Czech surrealism!
This is in addition to library copies in the British Isles (Maynooth, Fife, London), elsewhere in continental Europe (Paris, Leioa in Spain's Basque country, Barcelona, Lausanne, Berlin, Stockholm, Munich, Heidelberg, Würzburg, Zürich), and Wellington, New Zealand. This is in addition to copies at many US university and public libraries and one in Montreal.
While I've sent copies to a good many Czech institutions, apparently none of them report to Worldcat.
If your library doesn't yet have Magnetic Woman, do ask them to order it! You can point out that it is a prize-winning study of a fascinating gender-ambiguous surrealist. And if you've read it, please consider reviewing it, whether for a scholarly journal or on Amazon or Goodreads!
Spread the word about Toyen and Czech surrealism!
Friday, December 10, 2021
Magnetic Woman in New Zealand
Magnetic Woman makes it to the Kelburn Library at Victoria University of Wellington, New Zealand! So says Worldcat.org.
Wednesday, August 11, 2021
Two Zoom Talks on Toyen in One Week!
Two organizations--the San Francisco Public Library and the Czech Center in New York--kindly invited me to do full-length Zoom talks for them on Toyen. By chance, they ended up being just three days apart, so it was important to make sure they were different from one another, especially as the talks are now available long-term on YouTube. Both talks were well attended live and there were many excellent audience questions at each one.
The talk hosted by the Czech Center took place August 5th, and focused on the major Toyen retrospective that is currently on view in Prague (closing August 22nd but sold out). The show will move on to Hamburg, Germany, and to Paris, so additional viewers will get to see it in those cities.
The talk hosted by the San Francisco Public Library took place August 8th, and addressed more of the topics covered in Magnetic Woman. I'm thrilled to report that the Library has purchased no fewer than ten copies of Magnetic Woman, which must surely rank them as the best place in the world to find a library copy!
The Czech Center video is about one hour long and the SFPL video is closer to an hour and a half.
The talk hosted by the Czech Center took place August 5th, and focused on the major Toyen retrospective that is currently on view in Prague (closing August 22nd but sold out). The show will move on to Hamburg, Germany, and to Paris, so additional viewers will get to see it in those cities.
The talk hosted by the San Francisco Public Library took place August 8th, and addressed more of the topics covered in Magnetic Woman. I'm thrilled to report that the Library has purchased no fewer than ten copies of Magnetic Woman, which must surely rank them as the best place in the world to find a library copy!
The Czech Center video is about one hour long and the SFPL video is closer to an hour and a half.
Labels:
art,
books,
Czech,
exhibitions,
good news,
lectures,
libraries,
life during pandemic,
Magnetic Woman updates,
organizations,
Prague,
promotion,
small adventures,
surrealism,
Toyen,
videos,
YouTube,
Zoom talks
Friday, August 6, 2021
Get Hooked on Magnetic Woman
Lots and lots has been happening, particularly regarding publicity for Magnetic Woman! More details soon, but let's see if I can successfully add the San Francisco Public Library's one-minute YouTube "Get Hooked on" video for the book.
Monday, April 19, 2021
How Do Libraries Get Books?
Have you ever wondered what goes on behind the scenes at libraries--how purchasing choices are made and how books, especially e-books, come to be available? Author Maggie Lynch writes about The Importance of Library Distribution on her blog and notes that with the pandemic, libraries have adapted to changes in demand by providing stronger e-book offerings. As a reader who waited until the pandemic to get a Kindle, I can attest to my public library's growing interest in e-books!
Now, speaking of e-books, you may wonder whether Magnetic Woman is available as an e-book. The answer is, unfortunately, no. Rights for the art for e-book editions would have been even more expensive than what I had to pay (that's me, the author, not my publisher!) for print rights. Besides which, do you really want to read an art history book on a screen if you can read it on paper? Probably not, although I do think it would be nice to have a copy handy on an e-reader for travel.
Now, speaking of e-books, you may wonder whether Magnetic Woman is available as an e-book. The answer is, unfortunately, no. Rights for the art for e-book editions would have been even more expensive than what I had to pay (that's me, the author, not my publisher!) for print rights. Besides which, do you really want to read an art history book on a screen if you can read it on paper? Probably not, although I do think it would be nice to have a copy handy on an e-reader for travel.
Monday, July 20, 2020
Remind Your Library...
Many libraries--especially college and university libraries--have just begun a new fiscal year and therefore are at the beginning of their annual budget. In other words, it's probably the perfect time to ask your librarian to order Magnetic Woman!
Although we are still in production, libraries (and you too) can pre-order direct from the press.
This is also a great time to request a review copy, should you happen to be a book review editor or a reviewer, and if you think you might be able to use the book in teaching, you can request an exam or desk copy.
Although we are still in production, libraries (and you too) can pre-order direct from the press.
This is also a great time to request a review copy, should you happen to be a book review editor or a reviewer, and if you think you might be able to use the book in teaching, you can request an exam or desk copy.
Friday, May 15, 2020
And Ask Your Library to Buy It...
Let's not forget that, whether or not you personally want/need a copy of Magnetic Woman, this pre-order period before the book actually comes out is a great time to encourage your library to buy it. While public libraries may want to wait to see the first reviews, it can't hurt to let them know you think they should add it to their art section. And university libraries, although always struggling with tight budgets these days, tend to respond to requests from faculty.
Many libraries, especially university libraries, are nearing the end of their fiscal year, so I'll try to remember to do a reminder post closer to when they might be starting the new budget period. But put the book on their to-do list and send them the link to University of Pittsburgh Press.
Many libraries, especially university libraries, are nearing the end of their fiscal year, so I'll try to remember to do a reminder post closer to when they might be starting the new budget period. But put the book on their to-do list and send them the link to University of Pittsburgh Press.
Monday, April 27, 2020
NWU Webinars on Internet Archive and Our Books
There are still seats available for the National Writers Union's public educational webinars on, "What is the Internet Archive doing with our books?"
TODAY: Monday, April 27, 7 p.m. Eastern Time
Tuesday, May 5, 10 a.m. Eastern Time
These webinars are organized by the NWU, but all are welcome. Please let your friends know about these events.
More info and links to register:
https://nwu.org/what-is-the-internet-archive-doing-with-our-books/
TODAY: Monday, April 27, 7 p.m. Eastern Time
Tuesday, May 5, 10 a.m. Eastern Time
These webinars are organized by the NWU, but all are welcome. Please let your friends know about these events.
More info and links to register:
https://nwu.org/what-is-the-internet-archive-doing-with-our-books/
Labels:
archives,
books,
libraries,
NWU,
organizations,
publishing,
writers,
writing
Saturday, March 21, 2020
How's Working at Home Working Out?
My state doesn't have an actual shelter-in-place order, but since my governor has been in the forefront of those closing down potential sites of contagion, we're fairly close to sheltering in place. Bars are closed unless they also offer take-out sales (food or containers of beer); restaurants and cafes are take-out and delivery only; theaters are closed; hair salons are closed (just before my appointment, rats!). Etc. A whole lot of us are working from home now.
As a writer and professor, I'm already pretty accustomed to working from home. Even my work for school is largely done from home, because my office at school is in a windowless concrete-block space and I use it for two main things: meeting with students and storing art books.
At home, I normally work on a laptop, although I do still have a desktop machine bought around 2005. The desktop still functions, but I got it shortly before CD drives also read DVDs, shortly before USB 2.0, and shortly before wifi became common. So it's not as practical as it might be. Besides, the laptop allows me to move around in the house as well as (when it was possible) working elsewhere.
Since I live in a part of the country where home ownership is possible for a) people who aren't all that highly paid and/or b) weren't in a position to buy back when housing prices were more affordable throughout the US, I currently live in a house with quite a range of potential work spaces. It's a Victorian in what was once a working-class neighborhood, and in recent decades the attic was turned into living space, so I have two floors plus an unfinished basement where the furnace lives. But what does this translate to in actual work-at-home practice?
Well, let me begin by saying I like my house a lot and enjoy being in it. But it's not ideally designed for working at home even though I can and do work in no fewer than eight different locations in it--I'm currently seated at the foot of the stairs beside a large window, where the bookcase to my left holds fiction A to G and the bookcase to my right holds pocket-size nonfiction and foreign language books. This current spot is good for light and the chair is comfortable, but sometimes the light is too bright, often the air is cold, and it's not a part of the house where rabbits are allowed.
Most of the spaces in my house where I work, like my bedroom, my so-called office, my front room, and my living room, get very little natural light. My upstairs rooms are extremely hot in the summer and one of them (the one with good daytime light) is cold in the winter. Since I teach (normally) in a darkened room and meet with students in a windowless room, I want natural light the rest of the day!
In other words, while my house is a pretty neat place with an interesting variety of spots where I can and do work, under normal circumstances I also do a lot of my work at cafes and libraries. There are two cafes in my own neighborhood, several more within walking distance, and the public library is also in walking distance, while the university library is a good place to work when I'm on campus and not holding class or office hours. Well, at present the libraries are closed and the cafes are take-out only, so while I do try to support them by getting the occasional take-out, I'm working solely at home.
So far, it's okay--and I'm in a much better situation than many, many other people--but I really do miss going to the cafes and libraries!
As a writer and professor, I'm already pretty accustomed to working from home. Even my work for school is largely done from home, because my office at school is in a windowless concrete-block space and I use it for two main things: meeting with students and storing art books.
At home, I normally work on a laptop, although I do still have a desktop machine bought around 2005. The desktop still functions, but I got it shortly before CD drives also read DVDs, shortly before USB 2.0, and shortly before wifi became common. So it's not as practical as it might be. Besides, the laptop allows me to move around in the house as well as (when it was possible) working elsewhere.
Since I live in a part of the country where home ownership is possible for a) people who aren't all that highly paid and/or b) weren't in a position to buy back when housing prices were more affordable throughout the US, I currently live in a house with quite a range of potential work spaces. It's a Victorian in what was once a working-class neighborhood, and in recent decades the attic was turned into living space, so I have two floors plus an unfinished basement where the furnace lives. But what does this translate to in actual work-at-home practice?
Well, let me begin by saying I like my house a lot and enjoy being in it. But it's not ideally designed for working at home even though I can and do work in no fewer than eight different locations in it--I'm currently seated at the foot of the stairs beside a large window, where the bookcase to my left holds fiction A to G and the bookcase to my right holds pocket-size nonfiction and foreign language books. This current spot is good for light and the chair is comfortable, but sometimes the light is too bright, often the air is cold, and it's not a part of the house where rabbits are allowed.
Most of the spaces in my house where I work, like my bedroom, my so-called office, my front room, and my living room, get very little natural light. My upstairs rooms are extremely hot in the summer and one of them (the one with good daytime light) is cold in the winter. Since I teach (normally) in a darkened room and meet with students in a windowless room, I want natural light the rest of the day!
In other words, while my house is a pretty neat place with an interesting variety of spots where I can and do work, under normal circumstances I also do a lot of my work at cafes and libraries. There are two cafes in my own neighborhood, several more within walking distance, and the public library is also in walking distance, while the university library is a good place to work when I'm on campus and not holding class or office hours. Well, at present the libraries are closed and the cafes are take-out only, so while I do try to support them by getting the occasional take-out, I'm working solely at home.
So far, it's okay--and I'm in a much better situation than many, many other people--but I really do miss going to the cafes and libraries!
Wednesday, June 20, 2018
Images and Languages
I've returned to Prague after two weeks in Germany with My Sibling, and have wrapped up acquisition of a couple more photos for the book--one historic view of Smíchov, and one a photo of Toyen and Nezval that had not previously been digitized. So... some progress in that realm, although less than I'd like. And then I was also able to get a couple of much-wanted works that Christie's had auctioned--for anyone who needs images auctioned by Christie's, the procedure is to contact the auction house and they will forward the request to Bridgeman Images to fulfill. (I don't think one can do this directly through Bridgeman as they may not have the images prior to one's request, but I didn't ask about that.)
Settling back down at the library--which is where I do much of my work since I can work on multiple projects at once there, have wifi, and be out of the flat rather than sequestering myself--this morning I found myself taking the role of traffic director. As I prepared to enter the cloakroom area, I noticed a young woman attempting to communicate with the man at the somewhat inappropriately named Reception desk. (It is indeed a reception desk, but not an information desk and its staff are not multilingual as far as I can tell.) She kept saying "Library" and he responded, appropriately but not very usefully, "Knihovna." Whether or not she grasped that he understood what she had said was beside the point as there was no other information. Consequently, I stepped up and inquired if I could help.
As it happened, she was indeed looking for the library and wanted the reading room. I said that she would need to get a library card, as to the best of my knowledge this is the case. She was a bit put out and said she thought it was open to the public. I said that it is, but one needs a library card, which is not expensive. (It did not, unfortunately, occur to me that perhaps the city library would serve her purposes equally well; it is, after all, right across the street from the national library.) I provided some further information about getting a library card and said that once she had one, she would present it to the reception desk so that, I suppose, they can track usage, and that the main reading room would be just past his desk. She commented, with some annoyance, that "Nobody here speaks English!"
I was somewhat surprised, as this part of Prague is simply crawling with Czechs who can speak English. The library is situated in Old Town, which is where every tourist goes, and therefore over the past twenty or so years the shop employees have become quite proficient in our new lingua franca (a term I use with irony). I said, therefore, that actually quite a few people here speak English.
She did not look convinced, but went off in the direction of the library card application forms. I then found myself helping, or at least attempting to help, a woman who was trying to find where to buy tickets to see the building. I don't actually know where one does that but I knew that the staff in the next room were better equipped to assist than the cloakroom attendant, who has laryngitis and speaks no English.
I like to be able to be helpful, but I found myself rather irked by the first encounter. It is true that learning to use the Národní knihovna is a bit challenging for non-Czechs even now that some of the brochures and forms are in English, but I don't see why someone should expect that everyone in a foreign country should know English, especially in a country where a significant percentage of the population finished school before English was offered as a foreign language. Using the reading room at a national library (in whatever country) generally requires at least a rudimentary knowledge of that country's language(s). Do people arrive at the Library of Congress and expect to walk in and hang out in its reading rooms and speak only, for example, French to the staff? There are certainly staff at the LOC who know French, but they are not everywhere.
Having made this commentary on the state of things, I will now proceed to look at Filmová Praha of 1923 in the hope that it will prove useful for a conference paper I am presenting in the fall.
Settling back down at the library--which is where I do much of my work since I can work on multiple projects at once there, have wifi, and be out of the flat rather than sequestering myself--this morning I found myself taking the role of traffic director. As I prepared to enter the cloakroom area, I noticed a young woman attempting to communicate with the man at the somewhat inappropriately named Reception desk. (It is indeed a reception desk, but not an information desk and its staff are not multilingual as far as I can tell.) She kept saying "Library" and he responded, appropriately but not very usefully, "Knihovna." Whether or not she grasped that he understood what she had said was beside the point as there was no other information. Consequently, I stepped up and inquired if I could help.
As it happened, she was indeed looking for the library and wanted the reading room. I said that she would need to get a library card, as to the best of my knowledge this is the case. She was a bit put out and said she thought it was open to the public. I said that it is, but one needs a library card, which is not expensive. (It did not, unfortunately, occur to me that perhaps the city library would serve her purposes equally well; it is, after all, right across the street from the national library.) I provided some further information about getting a library card and said that once she had one, she would present it to the reception desk so that, I suppose, they can track usage, and that the main reading room would be just past his desk. She commented, with some annoyance, that "Nobody here speaks English!"
I was somewhat surprised, as this part of Prague is simply crawling with Czechs who can speak English. The library is situated in Old Town, which is where every tourist goes, and therefore over the past twenty or so years the shop employees have become quite proficient in our new lingua franca (a term I use with irony). I said, therefore, that actually quite a few people here speak English.
She did not look convinced, but went off in the direction of the library card application forms. I then found myself helping, or at least attempting to help, a woman who was trying to find where to buy tickets to see the building. I don't actually know where one does that but I knew that the staff in the next room were better equipped to assist than the cloakroom attendant, who has laryngitis and speaks no English.
I like to be able to be helpful, but I found myself rather irked by the first encounter. It is true that learning to use the Národní knihovna is a bit challenging for non-Czechs even now that some of the brochures and forms are in English, but I don't see why someone should expect that everyone in a foreign country should know English, especially in a country where a significant percentage of the population finished school before English was offered as a foreign language. Using the reading room at a national library (in whatever country) generally requires at least a rudimentary knowledge of that country's language(s). Do people arrive at the Library of Congress and expect to walk in and hang out in its reading rooms and speak only, for example, French to the staff? There are certainly staff at the LOC who know French, but they are not everywhere.
Having made this commentary on the state of things, I will now proceed to look at Filmová Praha of 1923 in the hope that it will prove useful for a conference paper I am presenting in the fall.
Saturday, May 19, 2018
A Small Progress Report
These last few weeks have been a busy time for me. As usual, I have several projects underway, but I also had to get ready for this year's research trip to Prague and then get settled in.
Image acquisition for Magnetic Woman is moving along, although never as quickly as I'd like (each month I hope that I will finally wrap up this phase of the book!). Just prior to leaving the US, I discovered that the library of the Art Institute of Chicago has some of what I was looking for, so I hurriedly made an appointment to go up there. In recent years, the Art Institute has acquired numerous examples of Czech modernist books and journals--they now have a real trove--and the librarians were very helpful. I was able to take my own study photographs of all sorts of things plus order reproduction-quality photos of some items for the book.
After arriving in Prague, I set out to obtain copies of photos of Toyen and other members of the Czech avant-garde. Quite a few have been published in the past, but not always with clear indications of their provenance. I knew, however, that the Památník národního pisemnictví (literary archive) would have some and that the UPM (design museum) would also be a good place to inquire. The Památník was able to offer me a selection of photos they had already scanned, plus when I went to their central depository in Litoměřice and rooted through Vítězslav Nezval's personal photos, I saw other interesting options. For the most part it must be said that Nezval's snapshots of his friends are small and not terribly clear, but I did find a more professionally done photo from an event that struck me as worth using in the book. Nezval's photo stash also included a set of entertaining pictures of him on an outing with Roman Jakobson, Jan Mukařovský, and a young woman who was very cozy with Nezval, and as Nezval, Jakobson, and Mukařovský all figure in my book, I was tempted to include one of these photos. However, there was not a specific one that was really quite right for my chapter, so with regret I passed on this even though I would have enjoyed showing that Mukařovský had a less serious side than one might gather from his scholarly work.
The UPM, meanwhile, is preparing a digital file of one of their photos for me.
So--there's progress, although I'm not happy about museums that don't respond to my inquiries.
Image acquisition for Magnetic Woman is moving along, although never as quickly as I'd like (each month I hope that I will finally wrap up this phase of the book!). Just prior to leaving the US, I discovered that the library of the Art Institute of Chicago has some of what I was looking for, so I hurriedly made an appointment to go up there. In recent years, the Art Institute has acquired numerous examples of Czech modernist books and journals--they now have a real trove--and the librarians were very helpful. I was able to take my own study photographs of all sorts of things plus order reproduction-quality photos of some items for the book.
After arriving in Prague, I set out to obtain copies of photos of Toyen and other members of the Czech avant-garde. Quite a few have been published in the past, but not always with clear indications of their provenance. I knew, however, that the Památník národního pisemnictví (literary archive) would have some and that the UPM (design museum) would also be a good place to inquire. The Památník was able to offer me a selection of photos they had already scanned, plus when I went to their central depository in Litoměřice and rooted through Vítězslav Nezval's personal photos, I saw other interesting options. For the most part it must be said that Nezval's snapshots of his friends are small and not terribly clear, but I did find a more professionally done photo from an event that struck me as worth using in the book. Nezval's photo stash also included a set of entertaining pictures of him on an outing with Roman Jakobson, Jan Mukařovský, and a young woman who was very cozy with Nezval, and as Nezval, Jakobson, and Mukařovský all figure in my book, I was tempted to include one of these photos. However, there was not a specific one that was really quite right for my chapter, so with regret I passed on this even though I would have enjoyed showing that Mukařovský had a less serious side than one might gather from his scholarly work.
The UPM, meanwhile, is preparing a digital file of one of their photos for me.
So--there's progress, although I'm not happy about museums that don't respond to my inquiries.
Labels:
archives,
art,
books,
Czech,
image acquisition,
Jakobson,
libraries,
Mukařovský,
museums,
Nezval,
photography,
surrealism
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